FLUTTERBY (2021)

This short film stands as one my proudest achievements to date. A graduation film project that became something extraordinary. As part of a dedicated five-person team, I took on the role of cinematographer, commanding all camera and lighting equipment to bring our shared vision to life.

What started as a university assignment evolved into an eight-month creative odyssey. We threw ourselves into every aspect of pre-production: intense fundraising campaigns, countless script rewrites, rigorous equipment training, nerve-wracking auditions, and meticulous screen tests. Our relentless preparation paid off spectacularly—we streamlined our shooting schedule from four days down to three without compromising our creative vision.

As cinematographer, I meticulously curated shot lists and selected the perfect takes for our final cut, ensuring every frame served the story. Even as Covid-19 dominated headlines and created unprecedented challenges, Flutterby became the project I was most passionate about—a beacon of creativity during uncertain times.

But the real magic happened after submission. With leftover funds from our successful fundraising efforts, we boldly entered Flutterby into film festivals across the United Kingdom. The results exceeded our wildest dreams: we swept multiple awards and earned the incredible honor of seeing our work screened in a VUE cinema.

Watching our student film projected on the big screen, surrounded by an audience experiencing our story, remains one of the most thrilling moments of my career.

Shot on the Sony FS5 using a 24mm, 50mm and 85mm set of G-Master Lenses.

We used Aperture, Redhead and Dedolight lighting equipment.

NEWEST VIDEO

This brief film captures a spontaneous August escape to one of Wales' most stunning corners. My father and I made the journey to Anglesey—the rugged, windswept island that marks Wales' most northwestern frontier—for an overnight stay with dear family friends.

I packed light but deliberately: my trusty Fuji GW690ii and a precious stash of Kodak Tri-X 400 left over from previous shoots. There's something magical about the timeless grain of Tri-X that seemed perfect for documenting life on their working farm—where weathered stone walls and rolling pastures practically beg to be rendered in classic black and white.

While the photographs tell one story, this iPhone 15 footage reveals another: the spontaneous moments between frames, the laughter shared over farm gates, and the raw beauty of a landscape that feels untouched by time. Sometimes the most memorable trips are the shortest ones, and this twenty-four-hour Welsh adventure proved exactly that.

After two transformative years calling New Zealand home, the pull of family and familiar shores became impossible to ignore. But this wasn't just any journey back to the UK—it was a carefully crafted photographic pilgrimage through Southeast Asia, with cameras as my companions and stories waiting to unfold in every frame. What started as a simple homecoming evolved into an intimate visual diary, captured across the electric streets of Singapore and the untouched beaches of Bintan Island, Indonesia. Armed with my reliable Minolta Riva Zoom 115 Ex and the magnificent medium format Fuji GW690ii, I documented not just places, but moments of rediscovery—of the world, of my craft, and ultimately, of myself. This film offers something raw and unpolished: my unguarded thoughts as I work, the split-second decisions that define each composition, and the amateur's enthusiasm that often reveals more truth than polished expertise ever could. You'll witness the hunt for the perfect shot in real time—from the neon-soaked chaos of Singapore's urban jungle to the serene, palm-fringed coastlines where time seems to pause. Each photograph became more than documentation; it became a bridge between who I was when I left and who I was becoming on the way back home. These aren't just images—they're fragments of a soul in transition, captured on film that will outlast the memories themselves.

In February 2025 arrived, my friends and I packed our gear and disappeared into The Catlins – one of New Zealand's most breathtaking yet underrated wilderness areas. Tucked away in Southland on the South Island, this raw landscape of rolling farmlands, windswept beaches, and dramatic coastlines became our temporary sanctuary from the relentless pace of work and daily routine. But this wasn't just any getaway. For me, it marked the beginning of a new photography project – a deeply personal pursuit that has become my lifeline. Photography isn't just a hobby; it's my therapy, my way of processing the world around me. Every shot represents countless hours of practice, experimentation, and the beautiful failures that taught me to truly see the landscapes that surround us. The Catlins offered the perfect canvas – untamed, moody, and alive with stories waiting to be captured. As we pitched our tents under vast Southern skies, I knew this trip would be more than just an escape. It would be a journey back to what matters most: friendship, wilderness, and the quiet magic found behind the lens. A visual diary of adventure, friendship, and the art of seeing.

My 2022 began with a trip to Snowdonia, Wales. I took this magnificent opportunity to capture the trip through film.

Cameras Used: Canon EOS-500,Canon T70, Olympus SuperZoom 110

Film Stocks Used: Portra 400, Lomography 800, Ilford HP5, RetroChrome 400, Kodak Colour Plus 200

Recorded on iPhone 12 Mini & Canon IXUS

In April 2022, I went on five day road trip down the south of England through Devon & Cornwall. My friend and I explored a variety of fantastic locations and scenery.

Cameras Used: Fuji GW690ii, CanonT70, Canon AE1

Film Used: Portra 400 120 & 35mm, Ektar 100 120mm, Fuji Superia 400 35mm

Locations: Castle Combe, Clovelly, Port Isaac, Chapel Porth Beach, Padstow St Ives

Shot on Sony A7iii

In early 2022, I had the privilege of going skiing with my family in the French Alps. In this project I experienced capturing snow on film for the first time. This was an experience I really enjoyed as I got to take my camera out with me onto the slopes. This video features my father and younger brother.

Cameras used: Canon T70 Olympus SuperZoom 110

Film Used: Portra 400,Kodak Colour Plus 200, Ektachrome 400, CineStill 50D, CineStill 800T

Shot on iPhone 12 mini

My trip to Norway during the beginning of the Christmas period, 2022. Located in the capital, Oslo, and the northern city of Tromso.

Cameras Used: Fuji GW690ii (120), Canon EOS 500D (35)

Film Stock Used: CineStill 800T, CineStill 400D, Fujifilm Pro 400H, Kodak Portra 800, Kodak Portra 400, Kodak Gold 200

Shot on iPhone 12 mini & Sony A7iii

A day trip exploring Sheerness and Whitstable on the South-West coast of the United Kingdom.

Cameras Used: Canon T70/ 24 2.8 Canon FD lens

Film Used: Kodak Gold 200

Shot on my Sony A7iii

Hampstead Heath is one of London's largest public parks. It is also my local park which I have visited my entire life. I wanted to start off my Film Photography portfolio project by shooting at a location that felt familiar to me (and my Border Terrier 'Buzz').

Cameras used: Canon EOS-500D, Olympus SuperZoom 110

Film Used: Portra 400, Pan 400

Shot on iPhone 12 Mini

In Summer 2024, I spent a couple of days in the French Alps with my family. In this section of Port Du Soleil I explored the areas surrounding Morzine and Montriond, venturing into the mountains and forests via E-Bike. This is my first video revealing my face via/ during commentary so mind my timidity in front of the camera. I primarily used my iPhone 15 in 'Cinematic Mode' for A-roll as it was light, small and quick. I used my Sony A7iii for B-roll footage.